Doing this will easily clean up the sound and make your mix better. A simple frequency sweep on the snare track to find the resonance lets you bring it down by ten or even 20dB. Sometimes a snare might have a ringing overtone that’s very annoying. Although sometimes a dramatic boost can do the job perfectly.Īn interesting example is with drums. When mixing, it’s best to use subtractive EQ rather than boost too much because it helps you sculpt your tone a lot better. Whereas in mixing, too little EQ may not be enough to make the instrument cut through the mix. Sometimes you need a bump on the low-end or an extra dB around 1.5kHz to clean it up. To do that, you must understand the song you’re mastering and look for the best frequencies that will make it sound like a finished record.
In mastering, you need to make minor improvements that will lift the entire track. If it sounds good in the finished product, that’s what matters. You can get away with boosting 10dB at 8kHz in an acoustic guitar during mixing. Mixing EQ allows for a lot more creative freedom than mastering. What’s The Difference Between Mixing EQ & Mastering EQ? In this case, contemplate sending the mix back to the producer and asking for a proper fix. When using EQ to fix a problematic mix, perhaps you’ll have to cut a little or add more than 2dB. So, when mastering, always boost frequencies with a narrow-to-medium Q. During mastering, subtractive EQ is not a great choice because you’ll have to make up for the loudness loss later. Half a dB already does a good job depending on the track and genre. Some engineers praise adding even less than 2dB.
Adding no more than 2dB on particular frequency regions will make an effective difference that will be enhanced later in the chain. Ideally, you should use very little EQ, especially at the beginning of the signal chain.
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